Tag Archive: astronomy

Nov 12 2012

Book review: The Sleepwalkers: A History of Man’s Changing Vision of the Universe by Arthur Koestler

Sleepwalkers_ArthurKoestler.Another result of my plea for reading suggestions on twitter; this is a review and summary of Arthur Koestler’s book “The Sleepwalkers: A History of Man’s Changing Vision of the Universe”. The book is a history of cosmology running from Pythagoras, in the 6th century BC, to Galileo who spanned the end of the 16th century, just touching lightly on Newton. It traces a revolution from a time when the cosmos, beyond the earth, was considered different, stable and perfect, to a time when it was shown to be subject to earthly physics, be changeable and not perfect by any reasonable definition.

Kuhn’s language of paradigm shifts seems rather overused to me but here is an example of a true paradigm shift. The sleepwalkers in the title refers to the idea that the protagonists didn’t really know where they were headed with their ideas and quite often were lucky with errors which cancelled each other out.

The book starts with a cursory look at Babylonian and early Greek astronomy; despite considerable observational acumen their models of the universe were outright mythical. The Pythagoranean Brotherhood although in many senses still mystical started to think about the physics of the universe. I have a tendency to think of the ancient Greeks as one blob but as the book makes clear there is a huge span of time, and outlook, between Pythagoras, Aristotle and Plato and Ptolemy. Koestler is quite clearly disappointed with the Greeks: they make a promising start with Pythagoras, Aristarchus developed a heliocentric model for the solar system and then with Plato, Aristotle and Ptolemy they regress back to a geocentric model.

Following on from the Greeks the Middle Ages are covered, James Hannam in his book “God’s Philosophers” has covered why this period wasn’t all that bad in terms of intellectual development. Koestler is less sympathetic, his key accusations are that they philosophers of the middle ages were in thrall to the later Greeks and furthermore there were elements of Christian theology that abjured the pleasure of knowledge for knowledge’s sake.

After these preliminaries, Koestler turns to the core of his work: the cosmological developments of Copernicus, Tycho Brahe, Johannes Kepler and Galileo Galilei.

The model of the universe handed down from the ancient Greeks was one of circles (often referred to in this context as epicycles), they believed that motion in a circle was perfect, that the heavens were a separate, perfect realm and that therefore all motion in the heavens must be based on circular motion. Further, the model dominating at the end of their period, held that the earth lay at the centre of these circular motions. The only problem with this model is that it doesn’t fit well the observed motions of the sun, moon, Mercury, Venus, Mars, Jupiter and Saturn – the observable solar system which lay against an unchanging starry background. Or rather you can get a rough fit at the expense of stacking together a great number of epicycles – something like 50.

Copernicus’ contribution, published on his death in 1543, was to put the sun back at the centre of the universe. Copernicus led a rather uneventful life, was no sort of astronomical observer and only published his thesis at the end of his life at the strong urging of Georg Joachim Rheticus. He’d discussed his model fairly freely during his life, and his reasons for not publishing were more to do with fear of ridicule from his contemporaries rather than theological pressure. After his death his work, with the exception of the astronomical tables, sank into obscurity partly because it was a difficult read and partly because he managed to ostracise his former cheerleader, Rheticus. Copernicus’ model still holds to the epicycles of the Greeks, and only marginally reduces the complexity of the model.

Next up comes Johannes Kepler, interspersed with Tycho Brahe. Brahe was an astronomical observer and nobleman, funded very well by the Danish king; given his own island Hveen where he built his observatory. As a keen astrologer he began his observation programme when he found a conjunction of Jupiter and Saturn was poorly predicted by current astronomical tables – how can you cast an accurate fortune under these circumstances?

Kepler was a theoretician rather than an observer but also a keen astrologer. I emphasise this because these days astrology is not held in high regard but it is the father of observational astronomy. He had started to develop a model of the solar system based on the Platonic solids – something of a mystical exercise but realised he needed better data to support his model. Brahe was the man with the data, Kepler was only just in time though – he travelled to work with Brahe when Brahe moved to Prague less than 2 years later Brahe was dead. Nowadays we know Kepler for his three laws of planetary motion – it’s worth noting that Kepler’s laws are labelled retrospectively.)

He left copious records of his progress which Koestler traces in great detail, Kepler’s struggle to recognise that planetary orbits were ellipses was heroic and has something of a pantomime air to it – “They’re right in front of you!”. His approach was unprecedented in the sense that he sought to accurately model the very best, most recent measurements. Kepler also made some attempts at a physical model to describe the motions but ultimately he is remembered for the detailed description of their motion. Since it is not central to his theme, Koestler makes only passing reference to Kepler’s work on optics.

The penultimate figure in the story is Galileo, despite Kepler’s best efforts Galileo pretty much ignored him. Galileo gets quite short shrift from Koestler who feels that he brought his troubles with the Catholic Church upon himself. Reading this account his position is not unreasonable. Galileo’s two big contributions to the story are his promotion and use of the telescope, and his work on the motion of terrestrial bodies, the generalisation of which and application to the solar system was Newton’s great triumph. Cosmologically he was only later in his life a supporter of the somewhat retro Copernican model which was a cul-de-sac in terms of theoretical developments. At the time the Catholic Church, particularly the Jesuits, were interested in astronomy and not particularly hardline about the interpretation of Scripture to fit observations. Galileo wound them up both by claiming all newly observed celestial phenomena as his own and by putting the words of the Pope in the mouth of an idiot in one of his Dialogues.

This highlights two of the wider themes that Koestler brings to his book. At one point he describes his cast of characters as “moral dwarves”, he states this is relative to their scientific achievements but returns to this theme in the epilogue where he feels that our scientific developments have not been matched by our spiritual development. The second is the schism between science and the Church that began in this period, Koestler seems to put much of the blame for this on Galileo’s head feeling that it is by no means inevitable. In the epilogue he also draws a comparison between biological evolution and scientific developments, highlighting specifically that there are long periods of not that much happening and many diversions from the “true” path.

The book finishes with a brief mention of Newton’s synthesis of Kepler’s laws and Galileo’s dynamics to produce a model of the solar system which is close to that which we hold today.

This really is a rollicking good read! This is a relatively old book, published in 1959 and one might anticipate that it has not fully caught up with modern historiography however a brief look around the internet suggests that he is not criticised in any great sense. Koestler does tend to focus on a limited number of “great” individuals and goes for “firsts” but this perhaps is what makes it a good read.

Footnotes

My Evernotes for the book are here, last page of the book at the top!

Nov 10 2012

By Jupiter!

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Jupiter (From video acquired on Celestron NexStar 5SE, Baader Hyperion zoom eyepiece at 8mm,Canon 600D, 1/30s at ISO800 stacked in Registax6)

This morning I managed some photos of Jupiter through the telescope, a Celestron NexStar 5SE.

This was helped with my latest purchase: a Baader Hyperion 8mm-24mm zoom eyepiece – this gives me more magnification and allows me to attach to my Canon 600D camera via a couple of mounting rings (here and here). Previously I could only get low magnification on my camera, or high magnification via a 3x Barlow lens.

The Baader-Hyperion is a nice bit of kit, instructions are minimal though so working out how to attach the camera was a case of twisting various bits of the eyepiece to find out what unscrewed – I did this in the light a couple of days ago. The only small problem is that once the camera is attached to the eyepiece it rotates when the zoom level is changed.

I left out the Star Diagonal for these images, this is Celestron’s right angle bending device which gives better naked eye viewing because you can look through the eyepiece from the standing position rather than crawling around on the floor. However, it does seem to introduce some chromatic aberration. The Canon 600D has a rotatable LCD which gives a reasonable viewing position even without the Star Diagonal.

I had a rather disappointing try at Jupiter a few days ago, disappointing because the night started clear but had clouded over almost completely by the time I got my telescope out; then the neighbours started letting off fireworks; then I couldn’t remember how to work my camera in the dark and then it started raining! On top of all that my Baader Hyperion eyepiece hadn’t turned up.

The useful thing I got out of the evening was a fair idea of appropriate ISO number and exposure times to use – Jupiter is surprisingly bright and needs something like ISO800 at 1/50s on my ‘scope, even at high magnification.

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Jupiter, single image Celestron NexStar 5SE, Baader Hyperion zoom eyepiece at 8mm, Canon 600D, 1/50s at ISO800

Jupiter was one of Galileo’s first targets for his telescope in the early 17th century, importantly he observed the four brightest Jovian moons (Callisto, Io, Europe and Ganymede). Significant because they orbited Jupiter, not the sun or the earth and they changed from night to night – at the time the stars were supposed to be immutable and rotate around the earth, or at least the Sun.

You can see these in two photos I took, on 5th and 10th November – the moons have moved quite obviously.

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Jupiter and moons on 5th November at 8pm (Celestron NexStar 5SE, 1/4s at ISO6400)

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Jupiter and moons on 10th November at 5am (Celestron NexStar 5SE, Baader Hyperion zoom eyepiece at 16mm?, 1/50s at ISO6400)

Actually, it’s not quite that simple: the photo from the 5th was taken in the early evening with Jupiter in the east whilst that on the 10th was taken in the early morning with Jupiter in the west. Jupiter appears to move between these two locations because of the earth’s rotation and this also means the orientation changes. Not only this, my telescope was configured differently on the two occasions: the Star Diagonal + camera combo flips the image vertically whilst the direct eyepiece view flips both horizontally and vertically. I’ve rectified the images appropriately, and labelled them following Stellarium.

I also took some video on the 600D. You can see it here, the juddering at the beginning and end is the result of me poking buttons on the camera. The rippling of the image is the “seeing”, it’s caused by the atmosphere. The point of taking video is that it can be used to mitigate the effect “seeing” by averaging frames, I did this using Registax 6 but first I had to convert the video from Quicktime to avi format using ffmpeg:

ffmpeg –i filename.mov –sameq filename.avi

ffmpeg can do anything with video, if you give it the right incantation, in this case it recognises that I want to convert an input video from mov (Quicktime) format to avi format, the –sameq flag tells it not to drop the quality of the video as it does so.

I have to admit to not really knowing how to use Registax, I simply let it do its default thing and the result looked okay:

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Jupiter (From video acquired on Celestron NexStar 5SE, Baader Hyperion zoom eyepiece at 8mm,Canon 600D, 1/30s at ISO800 stacked in Registax6)

A fun half hour of imaging, I’d have moved on to another target if I’d planned ahead. The earlier, unsuccessful imaging session was helpful in getting me close to the right camera settings and spurring me to learn how to learn how to use the camera in the dark. The Baader Hyperion eyepiece is rather nice!

Sep 18 2012

The Milky Way

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The Milky Way (Canon 600D, 18mm, ISO6400, 30s, f/4.5)

Regular readers will know I recently bought myself a telescope, a Celestron 5SE Schmidt-Cassegrain reflector but this post covers some astrophotography conducted without the aid of a telescope almost the opposite in fact. I’ve been on holiday recently to somewhere with pretty good dark skies, unfortunately I did not have my telescope with me but I did have a tripod, a Canon 600D SLR and a collection of lenses although in this instance I just used the 18-55mm kit lens at the wide end (18mm). I also had my planisphere and a copy of the free planetarium software, Stellarium.

I’ve used my camera with a standard lens to take photos of the night sky before: to make star trails, so far my experiments in this area have been a bit disappointing. The aim with star trail photographs is to have nice bright trails showing the apparent motion of stars around the pole as the earth rotates, against a dark background. In my experiments I used 30s exposures at f/4, ISO200 on a 10mm lens which I then combined using a simple application called StarTrails.

Back to my holiday snaps – I started my evening taking photos as I had done for my star trails, I have to say this was all a bit disappointing – individual photos do show the stars in the sky and with some effort one can trace out the patterns of the constellations – you might just be able to spot Cassiopeia in the image below.

Towards Cassepoia

Cassiopeia (Canon 600D, 18mm, ISO200, 30s, f/4.5)

Getting a bit bored with this, I turned the sensitivity right up so I was imaging at f/4.5 ISO6400 with 30s exposures and suddenly this popped out:

Towards Casseopia

The Milky Way towards Cassiopeia (Canon 600D, 18mm, ISO6400, 30s, f/4.5)

Cassiopeia is in there somewhere but there are just so many more stars (and a few clouds). This opened the flood gates and I indiscriminately fired off shots along the line of the Milky Way, just visible in the image above. At this time of year, in the early evening in the UK the Milky Way goes from horizon to horizon passing almost directly overhead starting a little East of North and finishing a little West of South.

Now this is fun but now I have a bunch of images of parts of the Milky Way. Can I stick them together? It turns out I can, I used Microsoft ICE on the images I had acquired and got this mosaic:

Milk Way Composite

The Milky Way, 5 image mosaic prepared in Microsoft ICE (Canon 600D, 18mm, ISO6400, 30s, f/4.5)

This spans almost horizon to horizon. I was rather pleased with this, however I struggled to work out where I was in the sky, picking out constellations from the huge mess of stars is very tricky. It turns out help is at hand in the form of astrometry.net, this is an online service which takes an image of the night sky and works out which bit of the sky it shows and labels it all nicely. It can’t handle the mosaic image shown above, but can handle the individual images – you can see my images here. One of the formats in which data is provided is Google Earth’s KMZ format, so you can see the images projected onto the celestial sphere in Google Earth – my combined KMZ file is here, it’s 12MB.

There are improvements to be made in the process:

  • if I’d had it with me my 10-22mm lens would have been nice – it would give me more sky in one shot;
  • better familiarity with my planisphere would mean less indiscriminate firing off of shots;
  • ideally I’d have gone for a cloudless night;
  • there’s a bit of optimisation on the exposure settings, ISO6400 is at the limit of my camera and if you zoom right in there is some evidence of colour noise, also towards the zenith the stars are motion smeared – as in star trail pictures so shorter exposures would be nice;
  • compositionally it would be good to include some of the earthly scenery;
  • working out how to turn off the security lights of the holiday cottage we were staying in would have been good.

All in all a rather fun evening!

May 13 2012

The sky at night!

And so after 10 days, I finally had a chance to play with my new telescope on Friday night! Optical astronomy requires at least a few gaps in the clouds but last night at 8pm it was completely clear – I was hopping up and down like an overactive child waiting for the sun to go down (scheduled for about 8:40pm) and simultaneously cursing the slightest wisp of cloud. It should be clear that I’m a bit new to this, so what I write shouldn’t be seen as in the slightest bit authorative.

Kindly folk at @newburyastro had suggested Venus and Saturn as targets for my first adventure into the night. Useful advice because, as a relative beginner I had little idea what I was going to see, or in fact when I was going to see it. Venus become visible at about 9:20pm towards the now-set sun, it turns out that pointing the ‘scope with the finderscope is much easier than the rather more hazardous enterprise of finding the sun without (something I describe here). In the eyepiece Venus appears as a small, bright crescent.

It was a breezy evening which meant that my view jiggled about a bit, it also jiggled about a bit whenever I touched the telescope. However I did manage a picture of Venus taken on my Canon 400D at prime focus. This is an uncropped view, and it’s upside down.

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Venus (1/50 second, ISO200)

 

Mars made an appearance a little later at about 9:35pm along with a bright star which I believe is Regulus. This enabled me to get my telescope to work out how it was orientated meaning it could track to objects on demand and also tell me what I was looking at (very handy for a novice). My picture of Mars is a little uninspiring, I’ve zoomed in here as far as possible, in Mars’ favour it does look red and it isn’t a simple point.

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Mars (cropped, 1/3 second, ISO200)

 

By now more and more stars were coming out, so I thought I’d try out my piggyback mount. This image is taken with a 10mm lens (i.e. really wide angle) with the telescope simply used as a camera mount pointed at Polaris, it’s a 30s exposure.

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The Northern circumpolar region (Canon 400D, 10mm, 30s ISO200, f/4)

 

 

It took a while to get this because I had auto-focus on and the camera couldn’t find anything to focus on so wouldn’t fire – switching off auto-focus and focusing to infinity manually resolved this. It was at this point I wished I could remember how to switch the display on the back of my camera off because it was really bright, and remember which button was which without being able to see it. The thing that surprised me about this is that there are rather more stars than I could see with my naked eye and some of them are quite strongly coloured. I feel I should go about identifying the stars in my picture.

At this point I thought I’d give Saturn a go, I must admit I thought it was hidden behind buildings and trees from my position in the back garden but I punched it into the telescope handset and it pointed me into the side of the conservatory, so I picked up the telescope and moved it one metre to the right, peered through the finderscope and tweaked my direction a bit and… the planet with ears popped into view!! This was really exciting! I only have one eyepiece for my telescope and it’s quite low magnification but through the eyepiece I could see my target was not a point, and it was not round – it was shaped like a flying saucer and there were slight gaps either side of the central body. Having marvelled at this for a bit I thought I’d try for another photograph:

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Saturn (cropped, 1/4s, ISO200)

 

It’s not the best picture of Saturn taken last night but it is my picture!

The moon hadn’t risen before I went to bed, so when I spotted this morning I rushed out for a photo.

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The Moon 9(1/500s, ISO400)

 

I’ve not done any astrophotography before these (apart from my shots of the sun, and a couple of shots at the moon through a conventional lens). I guess the thing I carried over from that was that the moon is a rock in full sun, so you need to set your exposure times accordingly, the same is true for Mars and Venus so I suspect I should be using shorter exposure times for them to which will also reduce any motion blur.

My first night of viewing has highlighted a need to have a better grip of how to work your camera, plan what you want to look at in advance and, as with an SLR camera, a telescope is simply a gateway drug for further accessory purchase.

May 08 2012

First light–images of the sun

I’ve had my new telescope (a Celestron NexStar 5SE) nearly a week now and so far I have images of miscellaneous chimney pots, arials, pigeons, and… the sun. Only the last of these can be considered fair astronomical game, I’ve had two goes at it so far. I tending to the view that my telescope blog posts shall be like a lab book of what I have done rather than a guide to others, except to perhaps highlight those things that are obvious to experienced astronomers but not to the novice.

The first rule about looking at the sun through a telescope is:

Do it carefully with the appropriate solar filter in place

Seriously, be really careful pointing telescopes at the sun – mine is a small one and it concentrates light by a factor of 300, looking near the sun with the naked eye is bad – imagine x300 more light!

I bought a sheet of Baader AstroSolar solar filter film at the same time as I got my telescope, this comes in the form of a thin A4 sheet of material that looks like foil. It has an optical density of 5, meaning it lets 0.001% of the incident light through. There are detailed instructions supplied with the AstroSolar film for constructing your own mount for the material, or you could go and buy a proper mounted filter (here).

The aim of the filter mount is to hold the filter film without stressing it and in a manner convenient to attach it to the front of your telescope. I should, perhaps, have used the “thick card” that the instructions recommended rather than the corrugated cardboard from the box the telescope came in, and it turns out double-sided carpet tape is really exceedingly sticky. However, the result shown in the image below is functional and I have included a built-in “filter shield” of my own invention for storage. Behind the two cardboard rings sandwiching the filter is a cardboard tube which fits neatly over the optical tube.

SolarFilter

Celestron NexStar 5SE with homemade solar filter from Baader AstroSolar

The next challenge is pointing the telescope at the sun, this turns out to be pretty tricky because with a solar filter in place the only thing in the sky that you can see is the sun, the field of view on my telescope is approximately the size of the moon, you can’t navigate by distinctive clouds and you can’t look through your finderscope unless it is also solar filtered. I’d read that you should move the telescope until the shadow of its tube is a circle – I tried doing this on the ground (minimising the area rather than trying to get a circle). At one point I thought I’d found the sun but from later observations I suspect I was staring at an internal reflection. But easier, since my telescope has a non-magnifying StarPointer finderscope I cast the shadow of that onto a piece of card until it looked round (see image below). The second time I tried this, I got a “hole-in-one” – the sun in my field of view at the first attempt! I could improve this by slotting a disk with a small hole in the middle into the finderscope and aligning until a bright spot appeared in the middle.

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Shadow of the Celestron Star Pointer, used to align the telescope to the sun

 I have to say that seeing the sun through my telescope for the first time was as exciting as digging up potatoes, that’s to say really exciting!

I then moved to trying to photograph my target, I did this using a Canon 400D SLR. The camera is attached by a T-mount to the back of the telescope, in place of the eyepiece. This means that the telescope is replacing the camera lens,s known as “prime focus photography”. Two configurations are possible: with and without the “Star Diagonal” in place. The field of view through the Star Diagonal is smaller, and dimmer than the direct connection however the viewing position is more comfortable and there is less risk of the camera falling off! The direct connection gives a correctly oriented view through the camera, whilst the Star Diagonal gives an upside-down view. The focus position for the eyepiece and the two different camera configurations are all different. The camera is triggered using a remote release cable.

My first attempt is shown below, this is a 1/640s at ISO200 taken without the StarDiagonal:

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Image of the sun, Canon 400D ISO200, 1/640s exposure

Below are crops to the two visible clusters of sunspots:

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Sunspot detail

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Sunspot detail

These look a little less distinct than they did through the eyepiece which may have been because I forgot to enable “mirror lockup”. The second time around I did a bit better, this is taken at ISO100 with a 1/125s exposure again without the StarDiagonal:

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Image of the sun, Canon 400D ISO100, 1/125s exposure

With a detail of the sunspots:

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Sunspot detail

I have a nice set of solar features, sunspots with dark umbra and a paler penumbra, limb darkening (the sun appears less bright towards its edges) and plages (related to faculae) which are bright spots, these are pretty difficult to see. The image below is a crop of the sunspot area to the right hand side of the image above with some contrast enhancement (I boosted the shadows using Picasa) which just about shows the plages:

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Solar photo showing plages

Next time I should probably set the white balance to something other than “auto”, and experiment a bit with exposure times to see if I can get the plages showing up a little better. A Barlow lens would give me some magnification of the sunspots… and so the spending on accessories begins!

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